At this time, in the painting process, two creative directions that are in dialogue with each other are revealed – gestural, brush-created abstraction and the structures of layers of cast acrylic.
In the first group of works, an intuitive, lively painterly gesture dominates. Here, the very touch to the canvas is important – the stroke, its direction, intensity and interruption. The flows, runs and overlapping layers of paint create atmospheric spaces reminiscent of inner landscapes.
In the second part of the works, artistic expression moves to the processuality of the material. Cast acrylic acts here as an independent force – the paint flows, connects, decomposes and forms organic structures. The lines and networks that emerge are reminiscent of natural systems: water currents, tangles of roots or microscopic tissues.
Both directions meet in a common research space, which examines the relationship between human gesture and natural processes. On the one hand, it is a conscious, emotional action, on the other hand – allowing the material to speak for itself.
This is a painting about transformation: about how form is born, changes and disappears, leaving only traces of movement, time and material.